Indian & Telugu wedding design — mandaps, Pellikuthuru, Haldi, Sangeet and Seemantham, built around the rituals you are actually performing.
Floor plans drawn against the real venue. Timings checked against the priest’s muhurtham. And every build taken down again, included in the quote.
Built for the ritual
Never from a catalogue
A mandap has to hold a priest, a fire, two families and a thousand photographs. We design it around the rituals you are actually performing — and the flowers come last.
More about Jyothsna
Four of the builds couples ask for most. Each one designed for its own venue, guest count and set of rituals — and each one struck again when the night is over.
A mandap has to hold a priest, a fire, two families and a thousand photographs. Talambralu and jeelakarra bellam need room — so the design starts there.
Turmeric, water and joyful chaos in the morning; lantern light and three quiet hours in the evening. Two opposite rooms, both designed on purpose.
The one night with no muhurtham. A stage that photographs from every angle, light that keeps the room warm after dark, and a dance floor clear of anything breakable.
Designed for one person to be comfortable and everybody else to see her. Supported seating, unscented flowers where it matters, the cradle where the light is best.
Which ceremonies, how many people, which venue — and honestly, what the budget is.
A moodboard, a palette and a written direction for every single function.
Floor plans against real venue dimensions, a mandap elevation, every line priced.
A signed agreement holds your date. Sourcing and fabrication become our problem.
We walk the venue and confirm every timing against the muhurtham.
We load in, stay on site, then leave the venue exactly as we found it.
Mandaps, Haldis, receptions and home ceremonies across New York and New Jersey.
View the portfolioWe walked in for the muhurtham and my mother started crying before the priest had even sat down. The mandap was exactly the drawing she showed us in March.
It rained the morning of the Haldi. By the time we came downstairs she had moved the whole setup under the marquee. Nobody looking at the photographs can tell.
Our house is not big. She turned the front room into something my grandmother said looked like home in Vijayawada. Six hours.
I was thirty-four weeks and could not stand for long. The seat she built was the only comfortable chair in the room. That is the detail I remember.
Forty guests in a small hall, and she still made it feel like an occasion. The ring tray photograph is the one we printed.
Three days, three rooms, one colour story. Our photographer said the Friday and Sunday pictures looked like the same wedding.
The hall is a beige box. Fabric on the walls, ninety uplights, and by eight o’clock nobody could remember what it looked like before.
The mehendi artists could actually see what they were doing. Ask anyone who has sat through a Mehendi lit by somebody’s phone torch.
She read our venue’s contract before we did and told us what we could not hang from the ceiling. Saved us a fight with the hotel.
We just needed the venue to stop looking like a hotel. She quoted florals on their own, never pushed the rest, and delivered exactly that.
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Send the dates, the venue if you have one, and which ceremonies you are planning. You will hear back within one working day.
